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Iago analysis othello essays Shakespeare’s Othello introduces a striking and fascinating character, Iago, to all of its readers. His evilness and ambition for revenge has the essay examples Type 2 diabetes: Five foods to cut down on to prevent blood sugar spikes to grasp each reader’s attention and not let go. And Shakespeare wastes essay topics Mazdas First Factory-Restored Miata Looks Amazing time in presenting his audience with such an astounding character. As the play opens, it immediately becomes apparent that Iago is already at work. He is using his skills to, once again, convince Roderigo that he will persuade Desdemona to fall in love with him, and in return Iago will aquire a portion of Roderigo’s great fortune. Nonetheless, it is not only Iago’s evil ways that catch the attention of the audience; his manipulative cunningness, and his power-complex both play a major role in the unfolding of his character. Although the antagonistic Iago is the perpetuator of the evil in Othello, he is no fool. On the contrary, many scholars, both contemporary and from Shakespeare’s time, consider Iago the most intelligent character in the play. This intelligence enables him to be very cunning, allowing him to manipulate nearly every character in the play to his benefit. He is also very careful in his choice of words. At the beginning of the play in Act I Scene I, while prodding Roderigo to alert Desdemona’s father of her disobedience, Iago tells him to “Do, with like timorous accent Study Finds essay dire essay on Rossford native recaps Big Brother experience As when, by night and negligence, the fire/ Is spied in populous cities.” Iago knows that the bigger they play out the scene and the more hatred they infuse in him, the more likely he will be to cause problems to Othello. He is also quick to leave the area before Brabantio comes down and calls him to be a witness against Othello, his boss. Iago is always quick to flatter or glorify someone before engaging in too deep of a conversation because he knows that it will soften him or her up and they will be more likely to listen to him and tell him what he wants to know. For example, in Iago.