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Misanthrope essays The tension Feinstein: ‘I did not hide Ms. Ford’s allegations’ essay illusion and reality present a tremendous problem for the characters in Moliere’s Misanthrope. Another tension, to a lesser extent, is that of love and principle. Throughout the play the characters are saying or thinking one thing, but saying or doing the complete opposite. The conflict of these tensions is what makes this play a comedy and in some ways a tragic comedy. The main character, Alceste, goes from beginning to end judging people on their morals and ideals, yet never once examines himself. He would rather magnify the flaws of others then look at himself for what he really is. He is also falls guilty to letting his love of a women, whom he was deceived by, outweigh his judgement. In the beginning iPhone XS review: Theres nothing excessive about Apples latest and greatest smartphone essay Act One, Scene One, Essay on Interest rates: where they hurt and where they help you is quarreling with Philinte because Alceste believes that Philinte is a fraud: I see you hug a man to death/ Exclaim for joy until you are out of breath/ Once the man’s back is turned, you cease to love him/ And speak with absolute indifference of him (16). It is in this exchange with Philinte that Alceste is blaming Philinte for embellishing his like of someone. Alceste says that he would: “hang himself without delay” (17) if he was to do something like that. He is being very judgmental when there really is no need to be. He lives in this illusion that his society has to be perfect. The illusion goes even further because Alceste has this self-righteous confidence in his own perfection that will later set him up essay on The U.S. Was Just Ranked the Best Country in the World for Wildlife Travel — Here Are the catastrophic consequences in love, law and literary criticism. The single biggest deception in the play is the illusion that Celimene puts on for Alceste. In Act Three, Scene Seven, Arsinoe tries to let Alceste know that Celimene doesn’t really love him at all: “You’re very much too good for Celimene/ She’s wantonly misled you from the start” (99). Alceste’s response to this is: “You may be right; who knows another’s heart.

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